* represents new artists to the show

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Cherry base and using four graduated widths of natural cane with a black cane and round reed motif the shape is feminine and functional.
Jill Heir

Jill Heir

Basketry - Booth #310

Where my first career in Engineering was born of necessity and has stood me in good stead, my second was born from the desire to create using natural elements, clay and reed. Each piece begins with a whisper of a design and a dream of what it can be. Then, an original, hand-crafted base is created of American or exotic woods, Ambrosia Maple, Red Oak, Padauk, Patagonian Rosewood, Canary, Zebra; their names evoking memories of the places that have inspired my creativity. I use reed and cane to build original pieces, creating only one unique piece. The final finish encapsulates the integrity of the piece and preserves it as an heirloom. I have been fortunate to have traveled extensively and those adventures through other cultures, and my natural surroundings, have greatly inspired my work.

  • Cherry base and using four graduated widths of natural cane with a black cane and round reed motif the shape is feminine and functional.

    Created upon a custom Cherry base and using four graduated widths of natural cane with a black cane and round reed motif (even at the base) the shape is feminine and functional. With openings front and rear open staves and leather cord laces the title is fitting.

  • Canary wood kinetic base and featuring two brazier bent bamboo elements that mimic each other in their gentle curves.

    Created upon a custom Canary wood kinetic base and featuring two brazier bent bamboo elements that mimic each other in their gentle curves. The Tulip tree seed pods provide the equilibrium balancing this original on its Canary wood base or letting it rock. Kinetics are unique to my work.

  • Red Oak base 5 variegated shades from vermillion through black combine with 3 sizes of fine cane in an original diamond twill pattern.

    Created upon a Red Oak base five artist-dyed variegated shades from vermillion through black combine with three graduated sizes of fine cane in an original diamond twill pattern. A bamboo element forms the handle and highlights the doubled rim with a wrapped blanket stitch.

  • Cherry wood base features a brazier bent bamboo element three graduated sizes of fine cane in a distinctive twill pattern with open staves.

    Created upon a custom Cherry wood base the Flirt features a brazier bent bamboo element three graduated sizes of fine cane in a distinctive twill pattern with open staves. Finished with shellac.

  • Red Oak base, three different colors of hand-dyed reed: maroon, black and navy for the spokes with navy and natural cane for the weavers.

    Designed on a Red Oak base the optical illusion was created by using three different colors of hand-dyed reed: maroon black and navy for the spokes with navy and natural cane for the weavers. A black cane rim and artificial sinew complete the rim finished with shellac.

  • Booth shot taken at the Smithsonian show 2023

    Booth shot taken at the Smithsonian show 2023

  • Cherry base and using four graduated widths of natural cane with a black cane and round reed motif the shape is feminine and functional.
  • Canary wood kinetic base and featuring two brazier bent bamboo elements that mimic each other in their gentle curves.
  • Red Oak base 5 variegated shades from vermillion through black combine with 3 sizes of fine cane in an original diamond twill pattern.
  • Cherry wood base features a brazier bent bamboo element three graduated sizes of fine cane in a distinctive twill pattern with open staves.
  • Red Oak base, three different colors of hand-dyed reed: maroon, black and navy for the spokes with navy and natural cane for the weavers.
  • Booth shot taken at the Smithsonian show 2023
This basket is loosely based off of a hen basket once thought to hold a broody hen. White oak frame and woven with ash.
Amy Krone *

Amy Krone *

Basketry - Booth #226

https://www.cambiumlostarts.com
  • This basket is loosely based off of a hen basket once thought to hold a broody hen. White oak frame and woven with ash.

    This basket is loosely based off of a hen basket once thought to hold a broody hen. I have updated the design by employing a wider frame and more dramatic border. White oak frame and woven with ash.

  • Swooping dramatic form with organic drift wood handle creating a modern geometric-meets-organic shape.

    This swooping dramatic form finds harmony with the organic drift wood handle creating a modern geometric-meets-organic shape. White Oak Frame Ash weavers Sycamore Root Handle.

  • White oak frame, woven with ash, foraged drift wood rim.

    This piece was inspired by the beautiful rim which I found washed up on the bank of my river. The interplay between organic and geometric form was my driving force and this sculpture was the result. White oak frame woven with ash foraged drift wood rim.

  • Modern melon basket with strong geometric elements. White oak frame, woven with ash. White oak handles.

    This is a modern melon basket with strong geometric elements. The elegant curves of the basket in combination with the swooping hoops of the handle provide geometry while being offset by the organic nature of the material. White oak frame woven with ash. White oak handles.

  • This modern take on the hen basket is all about nesting circles inside of one another. White oak frame woven with ash.

    This modern take on the hen basket is all about nesting circles inside of one another. White oak frame woven with ash.

  • This is an example of a small 8 booth display employing vintage furniture, birch plinths and copper racks to display my baskets.

    This is an example of a small 8’ booth display. A larger booth display (10’x10’) would look similar in nature employing vintage furniture birch plinths and copper racks to display my baskets.

  • This basket is loosely based off of a hen basket once thought to hold a broody hen. White oak frame and woven with ash.
  • Swooping dramatic form with organic drift wood handle creating a modern geometric-meets-organic shape.
  • White oak frame, woven with ash, foraged drift wood rim.
  • Modern melon basket with strong geometric elements. White oak frame, woven with ash. White oak handles.
  • This modern take on the hen basket is all about nesting circles inside of one another. White oak frame woven with ash.
  • This is an example of a small 8 booth display employing vintage furniture, birch plinths and copper racks to display my baskets.
Baskets were woven using a locally-gathered invasive vine called akebia.
Kari Lonning

Kari Lonning

Basketry - Booth #132

https://www.karibaskets.com

These baskets are woven of locally collected Akebia vines and artist-dyed rattan reed using commercial, waterfast dyes. The techniques used are multi-element twining to achieve spiral and vertical patterns, and the artist's own "hairy" technique, where hundreds of short pieces of reed are woven into the walls of the baskets. All designs are original and all work is done by the artist.

  • Baskets were woven using a locally-gathered invasive vine called akebia.

    The natural baskets were woven using a locally-gathered invasive vine called akebia. Some of the strands have been boiled and stripped to get the nearly white color the others show their original bark. Encaustic medium was applied to the finished baskets for strength.

  • Booth with baskets shown
  • Basket woven with twining technique to create the spirals and a traditional tapestry technique to achieve patches of contrasting color.

    The basket was woven using a 5 element twining technique to create the spirals and a traditional tapestry technique to achieve patches of contrasting color. Encaustic medium has been added to the surface of the basket to protect the rattan reed from moisture as well as to add weight.

  • Natural baskets was woven using a locally-gathered invasive vine called akebia.

    This natural baskets was woven using a locally-gathered invasive vine called akebia. Some of the strands have been boiled and stripped to get the nearly white color the others show their original bark. Encaustic medium was applied to the finished baskets for strength. *this version reflects a new finished rim after my dog ate half of the standing spokes.

  • Basket woven using multi-element twining and technique where 100's of short pieces of rattan reed are woven into the walls of the basket.

    The basket is woven using multi-element twining and the artist's own "hairy" technique where 100's of short pieces of rattan reed are woven into the walls of the basket. Encaustic medium was applied then melted into the reed to strengthen protect and to add substance to the basket

  • Natural baskets woven using a locally-gathered invasive vine called akebia.

    These natural baskets were woven using a locally-gathered invasive vine called akebia. Some of the strands have been boiled and stripped to get the nearly white color the others show their original bark. Encaustic medium was applied to the finished baskets for strength. (The dimensions and pricing are for the tall basket.)

  • Baskets were woven using a locally-gathered invasive vine called akebia.
  • Booth with baskets shown
  • Basket woven with twining technique to create the spirals and a traditional tapestry technique to achieve patches of contrasting color.
  • Natural baskets was woven using a locally-gathered invasive vine called akebia.
  • Basket woven using multi-element twining and technique where 100's of short pieces of rattan reed are woven into the walls of the basket.
  • Natural baskets woven using a locally-gathered invasive vine called akebia.
Woven willow locally sourced in Vermont
Zelma Loseke

Zelma Loseke

Basketry - Booth #505

https://www.zelmaloseke.com
  • Woven willow locally sourced in Vermont

    Woven willow locally sourced in Vermont

  • Woven willow locally sourced in Vermont

    Woven willow locally sourced in Vermont

  • Woven willow locally sourced in Vermont

    Woven willow locally sourced in Vermont

  • Woven willow locally sourced in Vermont

    Woven willow locally sourced in Vermont

  • Woven willow locally sourced in Vermont

    Woven willow locally sourced in Vermont

  • Woven willow locally sourced in Vermont

    Woven willow locally sourced in Vermont

  • Woven willow locally sourced in Vermont
  • Woven willow locally sourced in Vermont
  • Woven willow locally sourced in Vermont
  • Woven willow locally sourced in Vermont
  • Woven willow locally sourced in Vermont
  • Woven willow locally sourced in Vermont
maple bark waxed linen cordage copper pins Folded pinned and twined
Sally A Metcalf*

Sally A Metcalf*

Basketry - Booth #213

https://www.sallymetcalf.com
  • maple bark waxed linen cordage copper pins Folded pinned and twined

    maple bark waxed linen cordage copper pins Folded pinned and twined

  • maple bark waxed linen cordage copper pins Folded pinned and twined

    maple bark waxed linen cordage copper pins Folded pinned and twined

  • Double walled basket Waxed linen cordage

    Double walled basket Waxed linen cordage

  • Double walled basket Waxed linen cordage

    Double walled basket Waxed linen cordage

  • Double walled basket with lid Waxed linen cordage with turquoise finial

    Double walled basket with lid Waxed linen cordage with turquoise finial

  • pro panels and pedestals

    pro panels and pedestals

  • maple bark waxed linen cordage copper pins Folded pinned and twined
  • maple bark waxed linen cordage copper pins Folded pinned and twined
  • Double walled basket Waxed linen cordage
  • Double walled basket Waxed linen cordage
  • Double walled basket with lid Waxed linen cordage with turquoise finial
  • pro panels and pedestals
One of a kind lost wax cast bronze twined dyed bamboo threads and black bamboo handle.
Suzye Ogawa

Suzye Ogawa

Basketry - Booth #114

https://www.suzyeogawa.com
  • One of a kind lost wax cast bronze twined dyed bamboo threads and black bamboo handle.

    One of a kind lost wax cast bronze twined dyed bamboo threads and black bamboo handle.

  • One of a kind lost wax cast bronze with woven sweet grass grapevine and silk.

    One of a kind lost wax cast bronze with woven sweet grass grapevine and silk.

  • One of a kind lost wax cast bronze with colied and woven sweet grass and silk.

    One of a kind lost wax cast bronze with colied and woven sweet grass and silk.

  • One of a kind lost wax cast bronze sweet grass grapevine and silk vessel

    One of a kind lost wax cast bronze sweet grass grapevine and silk vessel

  • One of a kind lost wax cast bronze and woven Black Willow bark basket.

    One of a kind lost wax cast bronze and woven Black Willow bark basket.

  • Booth image for a 10 foot by 10 foot booth space

    Booth image for a 10 foot by 10 foot booth space

  • One of a kind lost wax cast bronze twined dyed bamboo threads and black bamboo handle.
  • One of a kind lost wax cast bronze with woven sweet grass grapevine and silk.
  • One of a kind lost wax cast bronze with colied and woven sweet grass and silk.
  • One of a kind lost wax cast bronze sweet grass grapevine and silk vessel
  • One of a kind lost wax cast bronze and woven Black Willow bark basket.
  • Booth image for a 10 foot by 10 foot booth space
South Carolina coastal sweetgrass is attached to by the base of the vessel and completed with bulrush and wooden beads.
Georgette Sanders*

Georgette Sanders*

Basketry - Booth #101

https://www.byhisdesignlegaciestiedbynature.com
  • South Carolina coastal sweetgrass is attached to by the base of the vessel and completed with bulrush and wooden beads.

    Hand built base with intricate use of found objects to execute texture. South Carolina coastal sweetgrass is attached to by the base of the vessel and completed with bulrush and wooden beads.

  • Wheel thrown vessels South Carolina sweetgrass and bulrush. Wooden beads are used to offer variation and contrast.

    Wheel thrown vessels South Carolina sweetgrass and bulrush. Wooden beads are used to offer variation and contrast.

  • South Carolina sweetgrass baskets with a wooden beads provide to highlight each stitch.

    South Carolina sweetgrass baskets with a wooden beads provide to highlight each stitch.

  • Curvaceous South Carolina sweetgrass basket wooden beads to highlight movement. Found deer antler that serve as a handle.

    Curvaceous South Carolina sweetgrass basket wooden beads to highlight movement. Found deer antler that serve as a handle.

  • Hand built base with reclaimed glass South Carolina sweetgrass attached. Bulrush

    Hand built base with reclaimed glass South Carolina sweetgrass attached. Bulrush

  • Booth shown

    Booth image.

  • South Carolina coastal sweetgrass is attached to by the base of the vessel and completed with bulrush and wooden beads.
  • Wheel thrown vessels South Carolina sweetgrass and bulrush. Wooden beads are used to offer variation and contrast.
  • South Carolina sweetgrass baskets with a wooden beads provide to highlight each stitch.
  • Curvaceous South Carolina sweetgrass basket wooden beads to highlight movement. Found deer antler that serve as a handle.
  • Hand built base with reclaimed glass South Carolina sweetgrass attached. Bulrush
  • Booth shown
Woven of pounded brown ash splint with sweetgrass. Hand split carved and green bent brown ash rims and handles.
Stephen Zeh

Stephen Zeh

Basketry - Booth #326

https://www.tamberlaine.com
  • Woven of pounded brown ash splint with sweetgrass. Hand split carved and green bent brown ash rims and handles.

    Handcrafted using the tools and techniques of the Maine woodsmen Shakers and Native American basketmakers. Woven of pounded brown ash splint with sweetgrass. Hand split carved and green bent brown ash rims and handles.

  • Nest of three swing handle baskets. Woven of pounded and hand-scraped brown ash splint with hand split carved and green bent.

    Nest of three swing handle baskets 6" dia. to 3" dia. Handcrafted using the tools and techniques of the Maine woodsmen Shakers and Native American basketmakers. Woven of pounded and hand-scraped brown ash splint with hand split carved and green bent.

  • Display cabinets show pieces in precious metals and miniatures woven in brown ash.

    Display cabinets show pieces in precious metals and miniatures woven in brown ash.

  • Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.

    Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.

  • Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.

    Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.

  • Captured lid basket. Woven of pounded brown ash splint with hand split carved and green bent brown ash rims and handles.

    Captured lid basket. Handcrafted using the tools and techniques of the Maine woodsmen Shakers and Native American basketmakers. Woven of pounded brown ash splint with hand split carved and green bent brown ash rims and handles.

  • Woven of pounded brown ash splint with sweetgrass. Hand split carved and green bent brown ash rims and handles.
  • Nest of three swing handle baskets. Woven of pounded and hand-scraped brown ash splint with hand split carved and green bent.
  • Display cabinets show pieces in precious metals and miniatures woven in brown ash.
  • Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.
  • Hand crafted of brown ash splint. Pounded hand scraped woven. The handles and rims are hand split carved and green bent.
  • Captured lid basket. Woven of pounded brown ash splint with hand split carved and green bent brown ash rims and handles.

* represents new artists to the show

Last Name Starting With
scraf with a hexagonal motiff
Chelle Adams*
Wearable Art

Chelle Adams*

Wearable Art - Booth #229

https://www.handmadeartists.com/user-home/
  • scraf with a hexagonal motiff
  • off-white scarf
  • red and green latticed scarf
  • orange and green shawl
  • peony inspired shawl
  • scraf with a hexagonal motiff
  • off-white scarf
  • red and green latticed scarf
  • orange and green shawl
  • peony inspired shawl
Laser Cut leather bags Mikelle Bags (Wood handles)
Alicia Appleton
Leather

Alicia Appleton

Leather - Booth #112

https://www.amberpoitier.com
  • Laser Cut leather bags Mikelle Bags (Wood handles)

    Laser Cut leather bags Mikelle Bags (Wood handles) - Large and Medium $800-$1000 Patricia (front cut out panel) $1200 Rita (wood side panel) $1000 Mikelle Medium measurements given

  • Laser cut out collar with an adjustable closure

    Laser cut out collar with an adjustable closure

  • Leather bag with wood handle and leather pockets

    Leather bag with wood handle and leather pockets

  • Leather laser cut 3-dimensional earring

    Leather laser cut 3-dimensional earring

  • Leather laser cut 3-dimensional earring

    Leather laser cut 3-dimensional earring

  • Laser Cut leather bags Mikelle Bags (Wood handles)
  • Laser cut out collar with an adjustable closure
  • Leather bag with wood handle and leather pockets
  • Leather laser cut 3-dimensional earring
  • Leather laser cut 3-dimensional earring
This large wood vessel is finished in a bright chrome yellow that looks like citrus.
Michael Bauermeister
Wood

Michael Bauermeister

Wood - Booth #215

  • This large wood vessel is finished in a bright chrome yellow that looks like citrus.

    This large wood vessel is finished in a bright chrome yellow that looks like citrus. It is carved by hand with very sharp gouges and then many layers of tinted lacquer are applied and partly sanded off. Finally several coats of clear lacquer are applied.

  • Booth shown with art pieces on display
  • This hand carved wood bowl has a surface that has been gilded with oxidized metal leaf.

    This hand carved wood bowl has a surface that has been gilded with oxidized metal leaf. The surface is carved with a very sharp gouge to give it the faceted texture. It is then lacquered black. Metal leaf is applied using traditional techniques. It is then sanded. stained and lacquered clear.

  • This large wooden vessel is evocative of the colors and textures of the late summer forest.

    This large wooden vessel is evocative of the colors and textures of the late summer forest. It is made by lathe-turning and carving glued up pieces of wood to shape and then many layers of tinted lacquer are applied and partly sanded off. Finally several coats of clear lacquer are applied.

  • This carved wood panel triptych depicts a morning mist settling over the Shenandoah Mountains.

    This carved wood panel triptych depicts a morning mist settling over the Shenandoah Mountains. It is carved by hand with gouges then finished with layers of tinted lacquer followed with stain and clear lacquer.

  • Carved lindenwood panel finished with tinted lacquer.

    Carved lindenwood panel finished with tinted lacquer. The undulating surface of this wall hanging is carved by hand with a series of gouges and finished to give the illusion of pebbles and water. Layers of colored lacquer are built up and partially sanded away to create this peaceful scene.

  • This large wood vessel is finished in a bright chrome yellow that looks like citrus.
  • Booth shown with art pieces on display
  • This hand carved wood bowl has a surface that has been gilded with oxidized metal leaf.
  • This large wooden vessel is evocative of the colors and textures of the late summer forest.
  • This carved wood panel triptych depicts a morning mist settling over the Shenandoah Mountains.
  • Carved lindenwood panel finished with tinted lacquer.
Three sizes of mezza filligrani cane with red lip wrap.
David J Benyosef*
Glass

David J Benyosef*

Glass - Booth #208

  • Three sizes of mezza filligrani cane with red lip wrap.

    Three sizes of mezza filligrani cane with red lip wrap.

  • Cane incalmo sandblasted

    Cane incalmo sandblasted

  • incamlo and wrap

    incamlo and wrap

  • copper blue with black mezza filigrana cane

    copper blue with black mezza filigrana cane

  • black mezza filigrana cane withj red lip wrap

    black mezza filigrana cane withj red lip wrap

  • Outdoor booth set-up

    havent done a indoor show in a long time. only picture i have is outdoor

  • Three sizes of mezza filligrani cane with red lip wrap.
  • Cane incalmo sandblasted
  • incamlo and wrap
  • copper blue with black mezza filigrana cane
  • black mezza filigrana cane withj red lip wrap
  • Outdoor booth set-up
paper cute image of woman and tiger
Lucrezia Bieler
Paper

Lucrezia Bieler

Paper - Booth #333

  • paper cute image of woman and tiger
  • papercut image of bird
  • cut paper image of bird
  • cut paper bison
  • cut paper image of hare
  • paper cute image of woman and tiger
  • papercut image of bird
  • cut paper image of bird
  • cut paper bison
  • cut paper image of hare
Handbuilt ceramic pot made from stoneware clay depicts flowers, birds and insects found in Maryland.
Carolyn Blazeck*
Ceramics

Carolyn Blazeck*

Ceramics - Booth #305

  • Handbuilt ceramic pot made from stoneware clay depicts flowers, birds and insects found in Maryland.

    Dragonfly and Sunflower is a handbuilt ceramic pot made from stoneware clay. The surface is incised using the sgraffito technique and depicts flowers birds and insects found in Maryland. The lid is edged with reclaimed pine needles and topped with a repurposed stained grapevine wood handle.

  • Bug Out Jar is a handbuilt ceramic jar made with stoneware clay that depicts insects and flowers found in Maryland.

    Bug Out Jar is a handbuilt ceramic jar made with stoneware clay. The surface is incised using the sgraffito technique and depicts insects and flowers found in Maryland. The lid is edged with woven reclaimed pine needles and has a repurposed stained grapevine wood handle.

  • Peonies is a handbuilt ceramic pot made from stoneware clay, the lid has a reclaimed stained grapevine wood handle.

    Peonies is a handbuilt ceramic pot made from stoneware clay. The pot features peonies carved in relief using the sgraffito technique. The lid has a reclaimed stained grapevine wood handle. The bottom is glazed with rutile green glaze.

  • Anura is a handbuilt ceramic pot made from stoneware clay, features flowers and insects found in Maryland.

    Anura is a handbuilt ceramic pot made from stoneware clay. The sgraffito surface designs feature flowers and insects found in Maryland. The top is edged with woven stained pine needles as are the handles.

  • Picidae is a handbuilt ceramic pot made from stoneware clay, depicts four different kinds of woodpeckers that are found in Maryland.

    Picidae is a handbuilt ceramic pot made from stoneware clay. The sgraffito technique was used to depict four different kinds of woodpeckers that are found in Maryland. The lid has a reclaimed grapevine wood handle and pine needle edging.

  • Bug Out Jar is a handbuilt ceramic jar made with stoneware clay, depicts insects and flowers found in Maryland.

    Bug Out Jar is a handbuilt ceramic jar made with stoneware clay. The surface is incised using the sgraffito technique and depicts insects and flowers found in Maryland. The lid is edged with woven reclaimed pine needles and has a repurposed stained grapevine wood handle.

  • Handbuilt ceramic pot made from stoneware clay depicts flowers, birds and insects found in Maryland.
  • Bug Out Jar is a handbuilt ceramic jar made with stoneware clay that depicts insects and flowers found in Maryland.
  • Peonies is a handbuilt ceramic pot made from stoneware clay, the lid has a reclaimed stained grapevine wood handle.
  • Anura is a handbuilt ceramic pot made from stoneware clay, features flowers and insects found in Maryland.
  • Picidae is a handbuilt ceramic pot made from stoneware clay, depicts four different kinds of woodpeckers that are found in Maryland.
  • Bug Out Jar is a handbuilt ceramic jar made with stoneware clay, depicts insects and flowers found in Maryland.
Each earring is a random pattern of hand forged links riveted together with a moveable rivet.
Kristine Bolhuis*
Jewelry

Kristine Bolhuis*

Jewelry - Booth #312

https://www.kristinebolhuis.com
  • Each earring is a random pattern of hand forged links riveted together with a moveable rivet.

    Each earring is a random pattern of hand forged links riveted together with a moveable rivet. The earrings maintain structure yet the individual links shift and move slightly. They are full rounded 3-dimensional shapes while they are worn and can also be displayed as sculptural objects.

  • These earrings represent energy radiating outward. Dozens of individually forged and fabricated loops are fed onto 18k gold ear wires.

    These earrings represent energy radiating outward. Dozens of individually forged and fabricated loops are fed onto 18k gold ear wires. They are not soldered in place but instead allow for movement of the loops when they are being worn.

  • Overlapping forged wires form a metal drawing. The linear elements are joined with movable rivets which allow for some shifting movement.

    Overlapping forged wires form a metal drawing. The linear elements are joined with movable rivets which allow for some shifting movement. Oxidized Sterling silver 14k gold filled and cotton cord with with a handmade clasp.

  • Bracelet constructed of individually hand forged and fabricated links riveted together with joints.

    A bracelet constructed of individually hand forged and fabricated links riveted together with joints that allow the bracelet move and flex as it is worn. It is a sculpture that is wearable as jewelry.

  • A cellular like structure of uniformly sized hand-forged links.

    A cellular like structure of uniformly sized hand-forged links. The mobility of the connections allow the necklace to drape on the body and move as the wearer moves.

  • An indoor booth setup with lights

    An indoor booth setup with lights

  • Each earring is a random pattern of hand forged links riveted together with a moveable rivet.
  • These earrings represent energy radiating outward. Dozens of individually forged and fabricated loops are fed onto 18k gold ear wires.
  • Overlapping forged wires form a metal drawing. The linear elements are joined with movable rivets which allow for some shifting movement.
  • Bracelet constructed of individually hand forged and fabricated links riveted together with joints.
  • A cellular like structure of uniformly sized hand-forged links.
  • An indoor booth setup with lights
Bench made from bleached oak with a seat woven from solid braid polypropylene rope.
Christina Boy
Furniture

Christina Boy

Furniture - Booth #504

https://www.christinaboydesign.com
  • Bench made from bleached oak with a seat woven from solid braid polypropylene rope.

    Bench made from bleached oak with a seat woven from solid braid polypropylene rope.

  • barstool with back - made from red oak a seat woven with black danish cord with accents of natural danish cord accents.

    barstool with back - made from red oak a seat woven with black danish cord with accents of natural danish cord accents. The two bottom side rungs have been carved on the bandsaw and the details have been inlaid with black paint to accentuate the pattern

  • Easy chair with a cantilever frame construction made from maple wood.

    Easy chair with a cantilever frame construction made from maple wood. The "upholstery" is made up of scrap wood tiles that have been textured painted with several colors of milk paint and have then been sanded for a distressed look. These are mounted to a hollow form box of baltic birch

  • Sidetable - one of them made from walnut the other from oak wood.

    Sidetable - one of them made from walnut the other from oak wood. The legs are mostly carved on the bandsaw some details carved by hand. The carvings were then inlaid with paint to make the pattern pop. Lower shelf made from the same type of hardwood as legs the top shelf is tempered glass

  • Sidetable with a cork lined drawer made from bleached red oak.

    Sidetable with a cork lined drawer made from bleached red oak. In an effort to reduce our ecological footprint the slats that surround the table are waste wood from other projects that have been textured painted with multiple layers of paint and distressed.

  • Booth with tables and chairs
  • Bench made from bleached oak with a seat woven from solid braid polypropylene rope.
  • barstool with back - made from red oak a seat woven with black danish cord with accents of natural danish cord accents.
  • Easy chair with a cantilever frame construction made from maple wood.
  • Sidetable - one of them made from walnut the other from oak wood.
  • Sidetable with a cork lined drawer made from bleached red oak.
  • Booth with tables and chairs
My design on a Greene and Greene desk and side chair shown in Sapele and Ebony.
Brian Brace*
Wood

Brian Brace*

Wood - Booth #111

https://www.brianbracefinefurniture.com
  • My design on a Greene and Greene desk and side chair shown in Sapele and Ebony.

    My design on a Greene and Greene desk and side chair shown in Sapele and Ebony. Solid wood mortise and tenon joinery breadboard ends dye stain with hand rubbed lacquer finish.

  • Hall table. Mortise and tenon joinery dye stained hand rubbed lacquer finish. Quater-sawn White oak cut and dried from a local tree.

    Hall table designed by Brian named after customer. Mortise and tenon joinery dye stained hand rubbed lacquer finish. Quater-sawn White oak cut and dried from a local tree in the Asheville NC area.

  • Hall table. Mortise and tenon joinery breadboard ends through tenon shelf dye stain and hand rubbed lacquer finish.

    Designed by Brian on a Greene and Greene hall table. Mortise and tenon joinery breadboard ends through tenon shelf dye stain and hand rubbed lacquer finish. Shown in Sapele and Ebony.

  • Brace Arbor Rocking Morris Chair Greene and Green version featuring three reclining positions.

    Brace Arbor Rocking Morris Chair Greene and Green version featuring three reclining positions. Quarter-sawn White oak & Ebony steam bent solid arms with through tenons cloud lifts dye stained hand rubbed lacquer finished. Cut and dried from a local tree in the Asheville NC area.

  • Arbor Morris Chair follows the traditional Morris Chair design featuring three reclining positions.

    My signature Arbor Morris Chair follows the traditional Morris Chair design featuring three reclining positions. For this piece I took inspiration from Greene and Greene by adding in "cloud lifts" & Ebony inlay. Quarter-sawn White oak & Ebony steam bent solid arms with through tenons dye stained.

  • Booth with tables and chairs placed around
  • My design on a Greene and Greene desk and side chair shown in Sapele and Ebony.
  • Hall table. Mortise and tenon joinery dye stained hand rubbed lacquer finish. Quater-sawn White oak cut and dried from a local tree.
  • Hall table. Mortise and tenon joinery breadboard ends through tenon shelf dye stain and hand rubbed lacquer finish.
  • Brace Arbor Rocking Morris Chair Greene and Green version featuring three reclining positions.
  • Arbor Morris Chair follows the traditional Morris Chair design featuring three reclining positions.
  • Booth with tables and chairs placed around
A still from an installation in 2022 including full sweepers on the left cobweb brooms on the right and three sculptural pieces at center
Grace C Brogan*
Mixed Media

Grace C Brogan*

Mixed Media - Booth #100

https://www.gracebrogan.com/
  • A still from an installation in 2022 including full sweepers on the left cobweb brooms on the right and three sculptural pieces at center

    A still from an installation in 2022 including full sweepers on the left cobweb brooms on the right and three sculptural pieces at center.

  • Woodfired Stoneware Arc Brush with broomcorn bristles

    Woodfired Stoneware Arc Brush with broomcorn bristles

  • Locally harvested dogwood handle with natural dyed indigo cordage and plated broomcorn broom.

    Locally harvested dogwood handle with natural dyed indigo cordage and plated broomcorn broom.

  • A collection of four plaited broomcorn brushes.

    A collection of four plaited broomcorn brushes.

  • Woodfired Porcelain Hand Broom with broomcorn bristles and leather hang tie.

    Woodfired Porcelain Hand Broom with broomcorn bristles and leather hang tie.

  • A collection of large and small brooms and brushes from a marketplace show in fall 2022.

    A collection of large and small brooms and brushes from a marketplace show in fall 2022.

  • A still from an installation in 2022 including full sweepers on the left cobweb brooms on the right and three sculptural pieces at center
  • Woodfired Stoneware Arc Brush with broomcorn bristles
  • Locally harvested dogwood handle with natural dyed indigo cordage and plated broomcorn broom.
  • A collection of four plaited broomcorn brushes.
  • Woodfired Porcelain Hand Broom with broomcorn bristles and leather hang tie.
  • A collection of large and small brooms and brushes from a marketplace show in fall 2022.
Wheel thrown stoneware with copper and wood ash glazes.
Winthrop E Byers
Ceramics

Winthrop E Byers

Ceramics - Booth #233

  • Wheel thrown stoneware with copper and wood ash glazes.

    Wheel thrown stoneware with copper and wood ash glazes. Peachbloom glazes are the result of a rare combination of oxidizing and reducing conditions in a high fire gas firing.

  • Wheel thrown and altered stoneware with copper dolomite and wood ash glazes. Fired to 2400 degrees in a reduction atmosphere

    Wheel thrown and altered stoneware with copper dolomite and wood ash glazes. Fired to 2400 degrees in a reduction atmosphere

  • Wheel thrown stoneware. Fired to 2400 degrees in a reduction atmosphere.

    Wheel thrown stoneware. Fired to 2400 degrees in a reduction atmosphere.

  • Wheel thrown stoneware with black and wood ash glazes. Fired to 2400 degrees in a reduction atmosphere.

    Wheel thrown stoneware with black and wood ash glazes. Fired to 2400 degrees in a reduction atmosphere.

  • This wheel thrown mortar and pestle with a copper glaze was fired to 2400 degrees in a gas fired reduction atmosphere.

    This wheel thrown mortar and pestle with a copper glaze was fired to 2400 degrees in a gas fired reduction atmosphere.

  • My booth is comprised of shelving pedestals and full wooden panels.

    My booth is comprised of shelving pedestals and full wooden panels.

  • Wheel thrown stoneware with copper and wood ash glazes.
  • Wheel thrown and altered stoneware with copper dolomite and wood ash glazes. Fired to 2400 degrees in a reduction atmosphere
  • Wheel thrown stoneware. Fired to 2400 degrees in a reduction atmosphere.
  • Wheel thrown stoneware with black and wood ash glazes. Fired to 2400 degrees in a reduction atmosphere.
  • This wheel thrown mortar and pestle with a copper glaze was fired to 2400 degrees in a gas fired reduction atmosphere.
  • My booth is comprised of shelving pedestals and full wooden panels.
Dimensional fused glass botanicals created using glass powders and frit. Beveled and clear textured border enhances the botanical design.
Karen and Geoffrey Caldwell
Glass

Karen and Geoffrey Caldwell

Glass - Booth #403

https://www.sunflowerglassstudio.com
  • Dimensional fused glass botanicals created using glass powders and frit. Beveled and clear textured border enhances the botanical design.

    Dimensional fused glass botanicals created using glass powders and frit. Beveled and clear textured border enhances the botanical design.

  • Dimensional Fused Glass botanicals using glass powders and frit to create each botanical part.

    Dimensional Fused Glass botanicals using glass powders and frit to create each botanical part. Kiln fired hand-painted details are applied to the birds. A beveled and textural glass border finished the piece.

  • Fused glass Great Blue Heron created with glass powders and frit for each individual feathers along with the horseshoe crab and shells.

    Fused glass Great Blue Heron created with glass powders and frit for each individual feathers along with the horseshoe crab and shells. A jeweled confetti glass border enhances the ocean mood with beveled glass enhancing the borders.

  • Fused glass botanicals using glass powders and frit kiln fired for a dimensional surface.

    Fused glass botanicals using glass powders and frit kiln fired for a dimensional surface. Bevels jewels and textured glass finished the piece.

  • Fused glass botanical flowers created using glass powders and frit kiln fired for a dimensional surface.

    Fused glass botanical flowers created using glass powders and frit kiln fired for a dimensional surface. A beveled and textural glass border finished the piece.

  • Booth photo

    Booth photo

  • Dimensional fused glass botanicals created using glass powders and frit. Beveled and clear textured border enhances the botanical design.
  • Dimensional Fused Glass botanicals using glass powders and frit to create each botanical part.
  • Fused glass Great Blue Heron created with glass powders and frit for each individual feathers along with the horseshoe crab and shells.
  • Fused glass botanicals using glass powders and frit kiln fired for a dimensional surface.
  • Fused glass botanical flowers created using glass powders and frit kiln fired for a dimensional surface.
  • Booth photo
A writing desk in Narra with bloodwood drawer fronts and hand-engraved hardware.
John Cameron
Furniture

John Cameron

Furniture - Booth #225

https://www.johncameroncabinetmaker.com
  • A writing desk in Narra with bloodwood drawer fronts and hand-engraved hardware.

    A writing desk in Narra with bloodwood drawer fronts and hand-engraved hardware. The sweep of the leg is the heart of the design carrying its curve through the sides back and drawer fronts. This detail shows the escutcheon plate engraved with a marine scene of a periwinkle and rockweed.

  • A desk in amazingly figured Claro walnut wide and deep enough to command a presence in any space.

    A desk in amazingly figured Claro walnut wide and deep enough to command a presence in any space. The beautiful complex wood is the perfect foil for hardware in Mokume-gane a Japanese layered metal technique worked and fabricated in my studio.

  • A cabinet in Claro walnut standing on cast bronze legs.

    A cabinet in Claro walnut standing on cast bronze legs.This is my third piece from a heavily figured Claro walnut plank all using shop-made Mokume-gane hardware to complement and echo the figure in the wood. Cast bronze legs lend visually slim yet solid support to the cabinet.

  • This cabinet features figured English brown oak and a stand of torrified ash.

    This cabinet features figured English brown oak and a stand of torrified ash. The engraved nickel silver escutcheon plate opens to reveal a detailed interior of holly and ash. In dramatic contrast to the rich tones of the exterior these naturally light woods illuminate the cabinet from within.

  • Copy of a Ming dynasty table in cherry.

    A faithful copy of a Ming dynasty table. The splayed legs subtle details and glueless interlocking joinery are all hallmarks of classical Chinese furniture. Work from this period an epitome of design and construction is a lesson in beauty and restraint. This pair is in cherry.

  • Booth with a desk and chairs and tables

    Booth Image

  • A writing desk in Narra with bloodwood drawer fronts and hand-engraved hardware.
  • A desk in amazingly figured Claro walnut wide and deep enough to command a presence in any space.
  • A cabinet in Claro walnut standing on cast bronze legs.
  • This cabinet features figured English brown oak and a stand of torrified ash.
  • Copy of a Ming dynasty table in cherry.
  • Booth with a desk and chairs and tables
These pieces are high-temperature stoneware fired in an electric kiln.
Dwo Wen Chen*
Ceramics

Dwo Wen Chen*

Ceramics - Booth #323

https://www.threewheelstudio.com
  • These pieces are high-temperature stoneware fired in an electric kiln.

    These pieces are high-temperature stoneware fired in an electric kiln. They are either wheel-thrown or hand-built but all are completely handmade.

  • These pieces are high-temperature stoneware fired in an electric kiln.

    These pieces are high-temperature stoneware fired in an electric kiln. They are either wheel-thrown or hand-built but all are completely hand-made.

  • These pieces are high-temperature stoneware fired in an electric kiln.

    These pieces are high-temperature stoneware fired in an electric kiln. They are either wheel-thrown or hand-built but all are completely handmade

  • These pieces are high-temperature stoneware fired in an electric kiln.

    These pieces are high-temperature stoneware fired in an electric kiln. They are either wheel-thrown or hand-built but all are completely hand-made.

  • These pieces are high-temperature stoneware fired in an electric kiln.

    These pieces are high-temperature stoneware fired in an electric kiln. They are either wheel-thrown or hand-built but all are completely hand-made.

  • Booth shown
  • These pieces are high-temperature stoneware fired in an electric kiln.
  • These pieces are high-temperature stoneware fired in an electric kiln.
  • These pieces are high-temperature stoneware fired in an electric kiln.
  • These pieces are high-temperature stoneware fired in an electric kiln.
  • These pieces are high-temperature stoneware fired in an electric kiln.
  • Booth shown
Butterfly jacket. The tucked stitches bring dimension to the piece and build up the body sleeves and side panels with detailed stitches.
Toshie And Marico Chigyo
Wearable Art

Toshie And Marico Chigyo

Wearable Art - Booth #308

https://www.chigyo.org
  • Butterfly jacket. The tucked stitches bring dimension to the piece and build up the body sleeves and side panels with detailed stitches.

    What I first imagined as a “wanderer’s jacket” soon morphed into the Butterfly jacket. The tucked stitches bring dimension to the piece and build up the body sleeves and side panels with detailed stitches. The piece uses naturally-dyed and hand-woven indigo fabric with plant-dyed thread.

  • The tunic attains its shimmering golden glow from turmeric-dyed cotton

    The tunic attains its shimmering golden glow from turmeric-dyed cotton which lays under the Four Seasons piece that highlights each season with a different thread color derived from nature's diverse flora.

  • Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye.

    Each time I create this piece I take my feelings of the moment to generate originality. Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye. The fabric was dipped 60 times in natural indigo plant dye with thread dyed from chestnut onion and other plants.

  • This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.

    The Swing Coat was born out of the desire to create an innovative 3-dimensional shape that gives dynamic movement to textile art. This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.

  • This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance.

    Masu is the Japanese word signifying prosperity or brilliance. This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance. The fabric was naturally dyed from indigo plant accompanied by plant-dyed thread using madder and other native plants.

  • Booth with clothes hung on display
  • Butterfly jacket. The tucked stitches bring dimension to the piece and build up the body sleeves and side panels with detailed stitches.
  • The tunic attains its shimmering golden glow from turmeric-dyed cotton
  • Each pattern meets another in an asymmetrical way creating an exciting puzzle for the eye.
  • This coat is hand-stitched on delicately woven cotton fabric. The fabric and thread are both hand-dyed with natural plants such as indigo.
  • This jacket contains an abundance of straight running stitches but in a design that evokes strength and elegance.
  • Booth with clothes hung on display
Owl kachina one of many enforcer kachinas commonly seen during the summer dances.
Darance Chimerica
Wood

Darance Chimerica

Wood - Booth #332

  • Owl kachina one of many enforcer kachinas commonly seen during the summer dances.

    Owl kachina one of many enforcer kachinas commonly seen during the summer dances .Material used is hand gathered cottonwood root hand processed earth natural paints. duck feathers and shells are also applied to the doll.

  • Koyala Kachina is a symbol of happiness and laugher.

    Koyala Kachina is a symbol of happiness and laugher. Materials used are cottonwood root all natural earth mineral paints leather horse hair and corn husk.

  • The Rainbow Kachina is commonly seen during the summer day dance ceremonies.

    The Rainbow Kachina is commonly seen during the summer day dance ceremonies. He is a symbol of moisture. Materials used are cottonwood root natural earth mineral paints pheasant feathers natural cotton and corn husk.

  • The sun kachina represents the sun element. An important kachina that represents life.

    The sun kachina represents the sun element. An important kachina that represents life. Materials used are cottonwood root natural earth mineral paints duck parrot feathers and corn husk.

  • Buffalo kachina is one of the winter seasonal kachinas that appears only during the winter months.

    Buffalo kachina is one of the winter seasonal kachinas that appears only during the winter months. He is believed to bring the winter moisture. Materials used are cottonwood rooy natural earth mineral paints dyed goat hair and parrot feathers.

  • Wall with items hung
  • Owl kachina one of many enforcer kachinas commonly seen during the summer dances.
  • Koyala Kachina is a symbol of happiness and laugher.
  • The Rainbow Kachina is commonly seen during the summer day dance ceremonies.
  • The sun kachina represents the sun element. An important kachina that represents life.
  • Buffalo kachina is one of the winter seasonal kachinas that appears only during the winter months.
  • Wall with items hung
Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch and Neck piece.
Namu Cho
Jewelry

Namu Cho

Jewelry - Booth #109

  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch and Neck piece.

    Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch and Neck piece.

  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.

    Po Mok Sang Guem(Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.

  • 10'x10' corner booth.

    10'x10' corner booth.

  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch

    Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch

  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.

    Po Mok Sang Guem(Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.

  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) work. 24K Inlaid on Steel with Diamond Brooch and Pendant.

    Po Mok Sang Guem(Damascen 24K inlaid on Steel) work. 24K Inlaid on Steel with Diamond Brooch and Pendant.

  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch and Neck piece.
  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) Work. 24K Inlaid on Steel with Ruby. Brooch and Pendant.
  • 10'x10' corner booth.
  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) Brooch
  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) 24k Fused on 22k Brooch and Neckpiece.
  • Po Mok Sang Guem(Damascen 24K inlaid on Steel) work. 24K Inlaid on Steel with Diamond Brooch and Pendant.
Ring's design is a double entendre inspired by a butterfly's wings and the butterfly effect.
Hyungzee Choi*
Jewelry

Hyungzee Choi*

Jewelry - Booth #302

https://www.hyungzeechoi.com
https://www.beeshaus.com
  • Ring's design is a double entendre inspired by a butterfly's wings and the butterfly effect.

    The Spread ring symbolizes societal phenomena's gradual spread into our lives through media. The ring's design is a double entendre inspired by a butterfly's wings and the butterfly effect. The sterling silver pieces were sawed hammered soldered and Keum-Boo applied to add dimension to the ring.

  • Motif of a butterfly's wings slowly unfolding to express the gradual spread of many phenomena in society into our lives.

    Our lives are often dominated by many things that are spread by various kinds of media. Using the motif of a butterfly's wings slowly unfolding as a motif I wanted to express the gradual spread of many phenomena in society into our lives. All pieces were sawed and soldered using sterling silver.

  • My studio's display

    I currently do not have any booth photos available so I am uploading a picture of my studio's display. I plan to update this image after participating in the PMA craft show this November.

  • With use a lead frame a semiconductor component acquires a unique hue that serves as a visual representation of its memory.

    With use a lead frame a semiconductor component acquires a unique hue that serves as a visual representation of its memory. Each lead frame is mounted within a picture frame a medium of memory and transformed into a brooch. Made of Sterling silver lead frame acrylic and fixed with rivets.

  • Necklace features 11 circular tubes that were intentionally tilted and cut to create varying perspectives reducing its perceived simplicity

    The necklace features 11 circular tubes that were intentionally tilted and cut to create varying perspectives reducing its perceived simplicity. 11 circular cubes arranged side by side at different angles produce a unique golden shade that shifts with the wearer's movements and changes in light.

  • The circular tube on the top of the simple band was intentionally tilted and cut to generate diverse perspectives of the ring

    The circular tube on the top of the simple band was intentionally tilted and cut to generate diverse perspectives of the ring diminishing its perceived simplicity. Keum-Boo was applied to add a three-dimensional effect and the matte finish or oxidized silver finish enhances the visual impact.

  • Ring's design is a double entendre inspired by a butterfly's wings and the butterfly effect.
  • Motif of a butterfly's wings slowly unfolding to express the gradual spread of many phenomena in society into our lives.
  • My studio's display
  • With use a lead frame a semiconductor component acquires a unique hue that serves as a visual representation of its memory.
  • Necklace features 11 circular tubes that were intentionally tilted and cut to create varying perspectives reducing its perceived simplicity
  • The circular tube on the top of the simple band was intentionally tilted and cut to generate diverse perspectives of the ring
wheel thrown teapot
Fong Choo
Ceramics

Fong Choo

Ceramics - Booth #102

  • wheel thrown teapot

    wheel thrown teapot

  • Wheel thrown Porcelain Teapot. Dyed Reed Handle. Diminutive Series

    Wheel thrown Porcelain Teapot. Dyed Reed Handle. Diminutive Series

  • Wheel thrown porcelain teapot. Diminutive Series.

    Wheel thrown porcelain teapot. Diminutive Series.

  • Wheel thrown altered porcelain teapot. Diminutive Series.

    Wheel thrown altered porcelain teapot. Diminutive Series.

  • wheelthrown altered diminutive porcelain teapot

    wheelthrown altered diminutive porcelain teapot

  • 10' x 10' Show Booth

    10' x 10' Show Booth

  • wheel thrown teapot
  • Wheel thrown Porcelain Teapot. Dyed Reed Handle. Diminutive Series
  • Wheel thrown porcelain teapot. Diminutive Series.
  • Wheel thrown altered porcelain teapot. Diminutive Series.
  • wheelthrown altered diminutive porcelain teapot
  • 10' x 10' Show Booth
Ring fabricated and cast from oxidized silver 18k gold diamonds pearls and green drusy.2.5
Ann Marie Cianciolo
Jewelry

Ann Marie Cianciolo

Jewelry

https://www.annsjewelry.com
  • Ring fabricated and cast from oxidized silver 18k gold diamonds pearls and green drusy.2.5

    Ring fabricated and cast from oxidized silver 18k gold diamonds pearls and green drusy.2.5

  • Ring fabricated and cast from oxidized silver 18k gold and spinels.

    Ring fabricated and cast from oxidized silver 18k gold and spinels.

  • Ring fabricated and cast from oxidized silver 18k gold and spinel

    Ring fabricated and cast from oxidized silver 18k gold and spinel

  • Set of three rings fabricated and cast from oxidized silver 18k gold and diamonds

    Set of three rings fabricated and cast from oxidized silver 18k gold and diamonds

  • Ring fabricated and cast from oxidized silver aquamarine pink sapphire diamond and pearls.

    Ring fabricated and cast from oxidized silver aquamarine pink sapphire diamond and pearls.

  • Booth with three cases displaying the items
  • Ring fabricated and cast from oxidized silver 18k gold diamonds pearls and green drusy.2.5
  • Ring fabricated and cast from oxidized silver 18k gold and spinels.
  • Ring fabricated and cast from oxidized silver 18k gold and spinel
  • Set of three rings fabricated and cast from oxidized silver 18k gold and diamonds
  • Ring fabricated and cast from oxidized silver aquamarine pink sapphire diamond and pearls.
  • Booth with three cases displaying the items
Jewelry set with Pods and chain links. Rare Charlotte cut 24K gold plated seed beads and ceramic coated seed beads.
Mara Colecchia*
Jewelry

Mara Colecchia*

Jewelry

https://www.maracole.com

105

  • Jewelry set with Pods and chain links. Rare Charlotte cut 24K gold plated seed beads and ceramic coated seed beads.

    Jewelry set with Pods and chain links. Rare Charlotte cut 24K gold plated seed beads and ceramic coated seed beads. Gems are repurposed vintage lucite beads from 1970.

  • Large bracelet with magnetic closure in 24K gold plated seed beads and ceramic coated seed beads

    Large bracelet with magnetic closure in 24K gold plated seed beads and ceramic coated seed beads plus repurposed vintage lucite spheres from 1970. With magnetic closure stitched in the mesh.

  • Boca Raton Bijoux! 2023.

    Boca Raton Bijoux! 2023.

  • Cross pendant made of ceramic coated seed beads crystal and resins not precious materials.

    Cross pendant created for the exhibit at the Baltimore Jewelry Center in 2021 titled "Artifactual Remakes". Based on a Renaissance cross part of the collection at the Walters Museum in Baltimore this large pendant is made of ceramic coated seed beads crystal and resins not precious materials.

  • Twin rings in 24K gold plated seedbeds opaque seed beads and freckled lucite spheres from 1970. Sold as a pair.

    Twin rings in 24K gold plated seedbeds opaque seed beads and freckled lucite spheres from 1970. Sold as a pair.

  • Double brooch with silver sterling seed beads metallic and opaque seed beads water pearls and mother of pearl silver plated brass.

    Double brooch with silver sterling seed beads metallic and opaque seed beads water pearls and mother of pearl silver plated brass. The brooch is interactive as by holding the side pins it can be placed on the eyes like a Venetian mask.

  • Jewelry set with Pods and chain links. Rare Charlotte cut 24K gold plated seed beads and ceramic coated seed beads.
  • Large bracelet with magnetic closure in 24K gold plated seed beads and ceramic coated seed beads
  • Boca Raton Bijoux! 2023.
  • Cross pendant made of ceramic coated seed beads crystal and resins not precious materials.
  • Twin rings in 24K gold plated seedbeds opaque seed beads and freckled lucite spheres from 1970. Sold as a pair.
  • Double brooch with silver sterling seed beads metallic and opaque seed beads water pearls and mother of pearl silver plated brass.
This bracelet has 12 different specie of wood in it all natural colors and artist dyed maple veneer.
Martha Collins
Jewelry

Martha Collins

Jewelry - Booth #401

https://www.studiomarthacollins.com
  • This bracelet has 12 different specie of wood in it all natural colors and artist dyed maple veneer.

    This bracelet has 12 different specie of wood in it all natural colors and artist dyed maple veneer. There are 600 pieces of wood in it with Ebony edges.

  • Linear Mosaic Bracelet made with the natural colors and grains of 12 different specie of wood and artist hand dyed veneers.

    Linear Mosaic Bracelet made with the natural colors and grains of 12 different specie of wood and artist hand dyed veneers. Ebony edges Brillant series comprised of 400 individual pieces of wood.

  • booth 2/07

    booth 2/07

  • Bracelet has 12 different specie of wood and 300 pieces in it.

    This bracelet has 12 different specie of wood and 300 pieces in it. The edges are Mum Ebony from Laos The wooden fabric design is accentuated with the artist hand dyed veneers.

  • 12 different specie of wood and artist hand dyed veneers. Claro walnut edges capture the 850 pieces.

    12 different specie of wood and artist hand dyed veneers. Claro walnut edges capture the 850 pieces. Constructed using the side grain of the wood gives the bracelet is brilliance.

  • Bracelet has the natural color of 12 different specie and maple veneer that has been dyed by the artist.

    This bracelet has the natural color of 12 different specie and maple veneer that has been dyed by the artist. There are 250 pieces of wood in it captured with Ebony edges.

  • This bracelet has 12 different specie of wood in it all natural colors and artist dyed maple veneer.
  • Linear Mosaic Bracelet made with the natural colors and grains of 12 different specie of wood and artist hand dyed veneers.
  • booth 2/07
  • Bracelet has 12 different specie of wood and 300 pieces in it.
  • 12 different specie of wood and artist hand dyed veneers. Claro walnut edges capture the 850 pieces.
  • Bracelet has the natural color of 12 different specie and maple veneer that has been dyed by the artist.
Gold Series is designed to chill your beverage without the melted ice.
Nate Cotterman
Glass

Nate Cotterman

Glass - Booth #230

https://www.natecotterman.com
  • Gold Series is designed to chill your beverage without the melted ice.

    The GOLD Series is an elevated version of our classic Cube Glass. The Gold Series uses 24k double thick gold leaf to compliment and enhance the experience of even the finest spirits. Like our original Cube Glass our Gold Series is designed to chill your beverage without the melted ice.

  • A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer.

    The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

  • A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer.

    The INCISION SERIES of bottles + vases are created using a “stuffed cup” technique. A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer. Offered in translucent monochromatic color ways to emphasize the unique torn texture.

  • Simple and timeless forms in a unique palette that enhance the effects of the hand formed process.

    A playful bunch for any interior. Simple and timeless forms in a unique palette that enhance the effects of the hand formed process. Mix shapes and sizes + color to create your own dialogue between the pieces.

  • The Dimple Vase Series takes a standard geometric form the cylinder and adds a much needed subtle textural break to the straight sides.

    The Dimple Vase Series takes a standard geometric form the cylinder and adds a much needed subtle textural break to the straight sides. Each vase plays off the proportions of the next to create a skyline of elevations and variation of width.

  • Booth with glass art on shelves
  • Gold Series is designed to chill your beverage without the melted ice.
  • A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer.
  • A cup is blown cooled cut brought back up to temperature and reformed into each shape we offer.
  • Simple and timeless forms in a unique palette that enhance the effects of the hand formed process.
  • The Dimple Vase Series takes a standard geometric form the cylinder and adds a much needed subtle textural break to the straight sides.
  • Booth with glass art on shelves
stoneware fired cone 6
Ki C Crittenden
Ceramics

Ki C Crittenden

Ceramics - Booth #206

  • stoneware fired cone 6

    stoneware fired cone 6

  • Booth with art on shelves
  • fired cone 6 stoneware

    fired cone 6 stoneware

  • stoneware fired cone 6

    stoneware fired cone 6

  • stoneware fired cone 6 carved out

    stoneware fired cone 6 carved out

  • fired cone 6 stoneware carved out and illuminate with electric fixture

    fired cone 6 stoneware carved out and illuminate with electric fixture

  • stoneware fired cone 6
  • Booth with art on shelves
  • fired cone 6 stoneware
  • stoneware fired cone 6
  • stoneware fired cone 6 carved out
  • fired cone 6 stoneware carved out and illuminate with electric fixture
Vintage Brass saxophone parts (altered)
Lisa & Scott Cylinder
Mixed Media

Lisa & Scott Cylinder

Mixed Media - Booth #329

https://www.lisaandscottcylinder.com
  • Vintage Brass saxophone parts (altered)

    Vintage Brass saxophone parts (altered) sterling silver brass ebony epoxy resin enamel paint. Fabricated cast and carved. Box - Maple paper paint wood mica powder.

  • Vintage briarwood pocket pipe. Both the ears and tail are movable.

    Vintage briarwood pocket pipe sterling silver brass ebony aluminum bakelite epoxy resin nylon brush. Fabricated cast carved and etched. Both the ears and tail are movable.

  • Silver nickel silver copper brass epoxy resin bakelite vintage ebony chinrest ebony. Fabricated cast and carved.

    Silver nickel silver copper brass epoxy resin bakelite vintage ebony chinrest ebony. Fabricated cast and carved.

  • Vintage ebony tuning pegs (violin viola and cello)

    Vintage ebony tuning pegs (violin viola and cello) vintage violin bow frog tuning heads sterling silver epoxy resin brass enamel paint mica powders dyed river stone plastic. Fabricated cast and carved.

  • Vintage cello

    Vintage cello scroll bronze copper vitreous enamel sterling silver polyurethane epoxy resin mica powder enamel paint pearls. Fabricated enameled cast and carved.

  • 10 x 10 display booth with professional display cases drapery and lighting.

    10 x 10 display booth with professional display cases drapery and lighting.

  • Vintage Brass saxophone parts (altered)
  • Vintage briarwood pocket pipe. Both the ears and tail are movable.
  • Silver nickel silver copper brass epoxy resin bakelite vintage ebony chinrest ebony. Fabricated cast and carved.
  • Vintage ebony tuning pegs (violin viola and cello)
  • Vintage cello
  • 10 x 10 display booth with professional display cases drapery and lighting.
5 Drawer Cabinet with open shelves in Cherry with Cherry and Maple book splines painted with Milk Paint.
Mark E Del Guidice
Furniture

Mark E Del Guidice

Furniture - Booth #327

https://www.markedwood.com
  • 5 Drawer Cabinet with open shelves in Cherry with Cherry and Maple book splines painted with Milk Paint.

    5 Drawer Cabinet with open shelves in Cherry with Cherry and Maple book splines painted with Milk Paint. Incise carvings are a mixture of my signature intuitive hieroglyphs abstracted images and Morse code.

  • Genuine Mahogany frame with Block Mottled Anigre surfaces.

    Genuine Mahogany frame with Block Mottled Anigre surfaces. Top has a four direction veneer pattern to accentuate the chatoyance of the wood. End panels and drawer face are incise carved with Milk Paint added to highlight the patterns and my intuitive hieroglyphs.

  • Tall Case Clock with a unique Bamboo veneer pattern complimented with Birds Eye.

    Tall Case Clock with a unique Bamboo veneer pattern complimented with Birds Eye Maple Curly Ash Madrone Burl Sapele and American Black Walnut. Multiple compartments for "Time" storage including two Time Capsules.

  • Booth with household furniture
  • Split leg console with a cabinet and drawer. Bubinga Soft Maple and Milk Paint

    Split leg console with a cabinet and drawer. Bubinga Soft Maple and Milk Paint

  • Room Divider - Bubinga American Black Walnut Swiss Pearwood Block Mottled Anigre Madrone Burl Milk Paint

    Room Divider - Bubinga American Black Walnut Swiss Pearwood Block Mottled Anigre Madrone Burl Milk Paint

  • 5 Drawer Cabinet with open shelves in Cherry with Cherry and Maple book splines painted with Milk Paint.
  • Genuine Mahogany frame with Block Mottled Anigre surfaces.
  • Tall Case Clock with a unique Bamboo veneer pattern complimented with Birds Eye.
  • Booth with household furniture
  • Split leg console with a cabinet and drawer. Bubinga Soft Maple and Milk Paint
  • Room Divider - Bubinga American Black Walnut Swiss Pearwood Block Mottled Anigre Madrone Burl Milk Paint
Convertible cross-body/backpack messenger in durable waxed canvas
Lisa DeMio*
Mixed Media

Lisa DeMio*

Mixed Media - Booth #306

https://www.redstaggerwing.com
  • Convertible cross-body/backpack messenger in durable waxed canvas

    Convertible cross-body/backpack messenger in durable waxed canvas - Features snap closure for safety adjustable removable strap can be worn cross body or over the shoulder - quick release hooks on the strap makes it simple to convert to backpack.

  • Waxed duck canvas exterior - Adjustable cotton webbing straps - Leather accents - Adjustable nickel buckle closure

    - waxed duck canvas exterior - Adjustable cotton webbing straps - Leather accents - Adjustable nickel buckle closure - 1 zippered exterior pocket

  • Cream background with charcoal and lime flower fields print hand silkscreened in South Africa - distressed leather bottom.

    Cream background with charcoal and lime flower fields print hand silkscreened in South Africa - distressed leather bottom. Exterior features two slip pockets reinforced with nickel rivet. Interior has 3 slip pockets two 4" and one pen/pencil pocket.

  • Handprinted canvas upper is paired with dark brown leather bottom.

    Handprinted canvas upper is paired with dark brown leather bottom. Two exterior slip pockets are perfect for phone/keys/tickets. Interior has 3 slip pockets as well as a roomy zippered pocket.

  • Convertible cross-body/backpack messenger in durable waxed canvas.

    Convertible cross-body/backpack messenger in durable waxed canvas - Features snap closure for safety adjustable removable strap can be worn cross body or over the shoulder - quick release hooks on the strap makes it simple to convert to backpack.

  • Booth with bags on display
  • Convertible cross-body/backpack messenger in durable waxed canvas
  • Waxed duck canvas exterior - Adjustable cotton webbing straps - Leather accents - Adjustable nickel buckle closure
  • Cream background with charcoal and lime flower fields print hand silkscreened in South Africa - distressed leather bottom.
  • Handprinted canvas upper is paired with dark brown leather bottom.
  • Convertible cross-body/backpack messenger in durable waxed canvas.
  • Booth with bags on display
Wheel thrown porcelain bird hand sculpted. Original multi layered glazes fired to cone 7 in electric kiln.
Lucy V Dierks
Ceramics

Lucy V Dierks

Ceramics - Booth #317

https://www.lucyvdierks
  • Wheel thrown porcelain bird hand sculpted. Original multi layered glazes fired to cone 7 in electric kiln.

    Wheel thrown porcelain bird hand sculpted. Original multi layered glazes fired to cone 7 in electric kiln.

  • Wheel thrown porcelain altered . Bird hand sculpted. Multiple glazes fired to cone 7 in electric kiln.

    Wheel thrown porcelain altered . Bird hand sculpted. Multiple glazes fired to cone 7 in electric kiln.

  • Wheel thrown porcelain altered bird hand sculpted. Multi layered original glazes fired to cone 7 in electric kiln.

    Wheel thrown porcelain altered bird hand sculpted. Multi layered original glazes fired to cone 7 in electric kiln.

  • Wheel thrown porcelain altered bird hand sculpted. Layered glazes fired to cone 7 in electric kiln

    Wheel thrown porcelain altered bird hand sculpted. Layered glazes fired to cone 7 in electric kiln

  • Wheel thrown porcelain altered bird hand sculpted. Layered glazes fired to cone 7 in electric kiln.

    Wheel thrown porcelain altered bird hand sculpted. Layered glazes fired to cone 7 in electric kiln.

  • photo of my booth

    photo of my booth

  • Wheel thrown porcelain bird hand sculpted. Original multi layered glazes fired to cone 7 in electric kiln.
  • Wheel thrown porcelain altered . Bird hand sculpted. Multiple glazes fired to cone 7 in electric kiln.
  • Wheel thrown porcelain altered bird hand sculpted. Multi layered original glazes fired to cone 7 in electric kiln.
  • Wheel thrown porcelain altered bird hand sculpted. Layered glazes fired to cone 7 in electric kiln
  • Wheel thrown porcelain altered bird hand sculpted. Layered glazes fired to cone 7 in electric kiln.
  • photo of my booth
mixed metal earrings with geometric motif
Sharon Donovan
Jewelry

Sharon Donovan

Jewelry - Booth #404

  • mixed metal earrings with geometric motif
  • mixed metal earrings with geometric motif
  • triangular jewelry
  • mixed metal jewlery with triangular motif
  • mixed metal jewelry
  • mixed metal earrings with geometric motif
  • mixed metal earrings with geometric motif
  • triangular jewelry
  • mixed metal jewlery with triangular motif
  • mixed metal jewelry
Englich Bridle Leather and Tiger Maple rendition of an 1800s British Campaign chair
David N Douyard
Wood

David N Douyard

Wood - Booth #126

https://www.daviddouyardchairmaker.com
  • Englich Bridle Leather and Tiger Maple rendition of an 1800s British Campaign chair

    Englich Bridle Leather and Tiger Maple rendition of an 1800s British Campaign chair

  • ladderback dining chair made with sugar maple and woven cotton tape seat.

    ladderback dining chair made with sugar maple and woven cotton tape seat.

  • Contemporary Windsor Settee made with maple white pine and white oak finished with a deep sapphire milk paint

    Contemporary Windsor Settee made with maple white pine and white oak finished with a deep sapphire milk paint

  • Continuous Arm Windsor style rocking chair make with maple white Pine and white oak and finished with dark green milk paint

    Continuous Arm Windsor style rocking chair make with maple white Pine and white oak and finished with dark green milk paint

  • Contemporary stick chair made in ash with clear finish

    Contemporary stick chair made in ash with clear finish

  • Booth shown with chairs against the wall and also hung from the top of the booth wall.
  • Englich Bridle Leather and Tiger Maple rendition of an 1800s British Campaign chair
  • ladderback dining chair made with sugar maple and woven cotton tape seat.
  • Contemporary Windsor Settee made with maple white pine and white oak finished with a deep sapphire milk paint
  • Continuous Arm Windsor style rocking chair make with maple white Pine and white oak and finished with dark green milk paint
  • Contemporary stick chair made in ash with clear finish
  • Booth shown with chairs against the wall and also hung from the top of the booth wall.
Adapted from Lindisfarne Gospels f139r. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.
Eugene and Margorie Dwiggins*
Leather

Eugene and Margorie Dwiggins*

Leather - Booth #406

https://www.leather.dwiggins.com
  • Adapted from Lindisfarne Gospels f139r. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

    Adapted from Lindisfarne Gospels f139r. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

  • Adapted from Mac Duran Gospels f172r. 9th C Ireland Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

    Adapted from Mac Duran Gospels f172r. 9th C Ireland Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

  • Booth with artwork on the walls

  • Canterbury England 8th C. Collection of Stockholm Royal Library. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood

    Canterbury England 8th C. Collection of Stockholm Royal Library. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

  • Adapted from Stockholm Codex Aureus folio 5v. Canterbury England 8th C. Three layers of hand tooled leather.

    Adapted from Stockholm Codex Aureus folio 5v. Canterbury England 8th C. Three layers of hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

  • From Collectio Canonum Sanblasiana f2v. Northumbria 8th C.

    From Collectio Canonum Sanblasiana f2v. Northumbria 8th C. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.

  • Adapted from Lindisfarne Gospels f139r. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.
  • Adapted from Mac Duran Gospels f172r. 9th C Ireland Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood.
  • Booth with artwork on the walls
  • Canterbury England 8th C. Collection of Stockholm Royal Library. Hand tooled leather stain acrylic paint cherry cambia poplar birch plywood
  • Adapted from Stockholm Codex Aureus folio 5v. Canterbury England 8th C. Three layers of hand tooled leather.
  • From Collectio Canonum Sanblasiana f2v. Northumbria 8th C.
a 9 part piece that is meant to express brush motion over a a broken up surface.
Nicholas G Everett
Ceramics

Nicholas G Everett

Ceramics - Booth #500

https://www.everettstudio.co
  • a 9 part piece that is meant to express brush motion over a a broken up surface.

    a 9 part piece that is meant to express brush motion over a a broken up surface.

  • A single stroke circle painted with liquid porcelain. Very expressive and gestural.

    A single stroke circle painted with liquid porcelain. Very expressive and gestural.

  • A piece pushing the limits of glazing offering intense contrast but also incredibly fine detail without bleeding.

    A piece pushing the limits of glazing offering intense contrast but also incredibly fine detail without bleeding.

  • Maximum contrast and texture to create an otherworldly looking piece.

    Maximum contrast and texture to create an otherworldly looking piece.

  • Extra thick slip with stone stain as paint, utilized slow and planed strokes to create beautiful dragging patterns.

    I applied extra thick slip with stone stain as my paint and utilized very slow and planed strokes to create beautiful dragging patterns that create a wonderful texture.

  • my booth.

    my booth.

  • a 9 part piece that is meant to express brush motion over a a broken up surface.
  • A single stroke circle painted with liquid porcelain. Very expressive and gestural.
  • A piece pushing the limits of glazing offering intense contrast but also incredibly fine detail without bleeding.
  • Maximum contrast and texture to create an otherworldly looking piece.
  • Extra thick slip with stone stain as paint, utilized slow and planed strokes to create beautiful dragging patterns.
  • my booth.
model wearing light shearling coat with baggy pants and boots
Ann Everette
Wearable Art

Ann Everette

Wearable Art - Booth #402

https://www.anneverettfashiondesigns.com
  • model wearing light shearling coat with baggy pants and boots
  • model wearing lose grey shirt with dark shorts with white floral accents
  • model wearing large sweater and rimmed hats
  • model wearing layered outfit in nuetral tones
  • model wearing oversized sweater
  • model wearing light shearling coat with baggy pants and boots
  • model wearing lose grey shirt with dark shorts with white floral accents
  • model wearing large sweater and rimmed hats
  • model wearing layered outfit in nuetral tones
  • model wearing oversized sweater
Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver.
Robert Farrell
Metal

Robert Farrell

Metal - Booth #134

https://www.farrellsilver.com
  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver.

    Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver.

    Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver. No casting no production techniques. Old-school handwork.

  • Booth with art objects shown
  • Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.

    Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.

  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper.

    Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. No casting no production techniques. Old-school handwork.

  • Fabricated object of sterling silver traditional kiln-fired glass enamel on copper 23k gold leaf.

    Fabricated object of sterling silver traditional kiln-fired glass enamel on copper 23k gold leaf. Joints are fabricated from sheet and tubing rivets are hand-hammered. This is a soldered and cold-connected construction--no casting.

  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper 23 k gold leaf. Interior skeleton of nickel silver.
  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper. Interior skeleton of nickel silver.
  • Booth with art objects shown
  • Fabricated object of sterling silver and traditional kiln-fired enamel on copper. One-person studio no casting.
  • Fabricated object of sterling silver and traditional kiln-fired glass enamel on copper.
  • Fabricated object of sterling silver traditional kiln-fired glass enamel on copper 23k gold leaf.
Porcelain hand formed high fired immersed in the Nubanusit River for 2 months
Lulu Fichter*
Ceramics

Lulu Fichter*

Ceramics - Booth #322

  • Porcelain hand formed high fired immersed in the Nubanusit River for 2 months

    Porcelain hand formed high fired immersed in the Nubanusit River for 2 months

  • Porcelain hand pinched high fired immersed in the Nubanusit river for 2 months

    Porcelain hand pinched high fired immersed in the Nubanusit river for 2 months

  • Porcelain wheel thrown hand formed pinched pierced high fired immersed in the Nubanusit River for two months

    Porcelain wheel thrown hand formed pinched pierced high fired immersed in the Nubanusit River for two months

  • Porcelain wheel thrown hand formed pinched pierced high fired immersed in the Nubanusit River for two months

    Porcelain wheel thrown hand formed pinched pierced high fired immersed in the Nubanusit River for two months

  • Porcelain wheel thrown hand formed pinched pierced immersed in the Nubanusit River for 2 months

    Porcelain wheel thrown hand formed pinched pierced immersed in the Nubanusit River for 2 months

  • Booth shown
  • Porcelain hand formed high fired immersed in the Nubanusit River for 2 months
  • Porcelain hand pinched high fired immersed in the Nubanusit river for 2 months
  • Porcelain wheel thrown hand formed pinched pierced high fired immersed in the Nubanusit River for two months
  • Porcelain wheel thrown hand formed pinched pierced high fired immersed in the Nubanusit River for two months
  • Porcelain wheel thrown hand formed pinched pierced immersed in the Nubanusit River for 2 months
  • Booth shown
Brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese gardens.
Donald B Friedlich
Jewelry

Donald B Friedlich

Jewelry - Booth #328

https://www.donaldfriedlich.com
  • Brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese gardens.

    Glass 22k gold 18k gold 14k gold. This brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese gardens. CNC machining of graphite mold press molding coldworking fabrication bezel setting etched..

  • Brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese Zen gardens.

    Glass 22k gold niobium sterling 14k gold. This brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese Zen gardens.CNC machining of graphite mold press molding hot glass coldworking fabrication anodizing bezel setting sandblasted etched.

  • Brooch dramatically shifts in color when viewed from different angles in order to exploit the fact that jewelry is viewed in motion.

    Borosilicate glass custom made dichroic glass 14k gold cold worked fabricated UV glued. Note that this brooch dramatically shifts in color when viewed from different angles in order to exploit the fact that jewelry is viewed in motion.

  • Brooch which is constructed hollow to keep it light dramatically shifts in color when viewed from different angles.

    Dichroic glass borosilicate glass 14k gold slumped cold worked fabricated UV glued. This brooch which is constructed hollow to keep it light dramatically shifts in color when viewed from different angles in order to exploit the fact that jewelry is viewed in motion.

  • Booth with items in display cases
  • Reversible necklace shifts in color when viewed from different angles.

    This necklace is reversible and it shifts in color when viewed from different angles. The two sides which are held together magnetically can each also be worn as brooches. Dichroic glass borosilicate glass neodymium magnets. Slumped in custom drop out mold cold worked fabricated UV glued.

  • Brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese gardens.
  • Brooch was inspired by wave patterns in water and the patterns of raked sand in Japanese Zen gardens.
  • Brooch dramatically shifts in color when viewed from different angles in order to exploit the fact that jewelry is viewed in motion.
  • Brooch which is constructed hollow to keep it light dramatically shifts in color when viewed from different angles.
  • Booth with items in display cases
  • Reversible necklace shifts in color when viewed from different angles.
Fabricated oxidized sterling silver necklace set with wool felt.
Michele A Friedman*
Jewelry

Michele A Friedman*

Jewelry - Booth #113

  • Fabricated oxidized sterling silver necklace set with wool felt.

    Fabricated oxidized sterling silver necklace set with wool felt.

  • Fabricated oxidized sterling silver brooch set with wool felt.

    Fabricated oxidized sterling silver brooch set with wool felt.

  • Indoor Booth with cases and bases and hard walls

    Indoor Booth with cases and bases and hard walls

  • Fabricated oxidized sterling silver brooch set with wool felt.

    Fabricated oxidized sterling silver brooch set with wool felt.

  • Fabricated oxidized sterling silver and 18k Bi-metal earrings set with wool felt. gold plated brass screws also used.

    Fabricated oxidized sterling silver and 18k Bi-metal earrings set with wool felt. gold plated brass screws also used.

  • Fabricated oxidized sterling silver and 18k Bi-metal brooch set with wool felt.

    Fabricated oxidized sterling silver and 18k Bi-metal brooch set with wool felt.

  • Fabricated oxidized sterling silver necklace set with wool felt.
  • Fabricated oxidized sterling silver brooch set with wool felt.
  • Indoor Booth with cases and bases and hard walls
  • Fabricated oxidized sterling silver brooch set with wool felt.
  • Fabricated oxidized sterling silver and 18k Bi-metal earrings set with wool felt. gold plated brass screws also used.
  • Fabricated oxidized sterling silver and 18k Bi-metal brooch set with wool felt.
Golden sateen with upcycled denim and a multidimensional handkerchief hem wrap skirt. One size fits all.
Amber Frigaard*
Wearable Art

Amber Frigaard*

Wearable Art - Booth #405

https://www.tilaandthetextiles.com
  • Golden sateen with upcycled denim and a multidimensional handkerchief hem wrap skirt. One size fits all.

    Golden sateen with upcycled denim and a multidimensional handkerchief hem wrap skirt. One size fits all.

  • Exuberant digital print linen wrap skirt with upcycled denim and large reinforced removable pocket. One size fits all.

    Exuberant digital print linen wrap skirt with upcycled denim and large reinforced removable pocket. One size fits all.

  • Booth 2017 Las Vegas Market

    Booth 2017 Las Vegas Market

  • Vintage US Shelter Half military tents made into weatherproof unisex versatile vests.

    Vintage US Shelter Half military tents made into weatherproof unisex versatile vests. Long version has extensive back detail of corset-like strapping. Shorter version has front adjustments only. Adjustably sized XS-XL. Long version $325 Cropped version $285.

  • Lightweight teal colored silk wrap skirt with upcycled denim and Kantha pocket. Leather ties. One size fits all.

    Lightweight teal colored silk wrap skirt with upcycled denim and Kantha pocket. Leather ties. One size fits all.

  • Multi tiered layers of vintage US Military tent netting and upcycled denim. Full coverage from waist to knee then peekaboo layers of netting

    Multi tiered layers of vintage US Military tent netting and upcycled denim. Full coverage from waist to knee then peekaboo layers of netting. One size fits all.

  • Golden sateen with upcycled denim and a multidimensional handkerchief hem wrap skirt. One size fits all.
  • Exuberant digital print linen wrap skirt with upcycled denim and large reinforced removable pocket. One size fits all.
  • Booth 2017 Las Vegas Market
  • Vintage US Shelter Half military tents made into weatherproof unisex versatile vests.
  • Lightweight teal colored silk wrap skirt with upcycled denim and Kantha pocket. Leather ties. One size fits all.
  • Multi tiered layers of vintage US Military tent netting and upcycled denim. Full coverage from waist to knee then peekaboo layers of netting
Clear blown glass pitcher
Jarrod Futscher
Glass

Jarrod Futscher

Glass - Booth #307

https://www.takttimedesign.com
  • Clear blown glass pitcher
  • clear blown drinking glasses
  • Glass decanter
  • striped blue glass vase and bowl
  • black glass cylindrical vases
  • Clear blown glass pitcher
  • clear blown drinking glasses
  • Glass decanter
  • striped blue glass vase and bowl
  • black glass cylindrical vases
woven leather purse
Pong Gaddi
Leather

Pong Gaddi

Leather - Booth #503

https://www.pgaddi.com
  • woven leather purse
  • curving leather chair
  • black and white checkered bag
  • black and red woven bag
  • woven leather bag
  • woven leather purse
  • curving leather chair
  • black and white checkered bag
  • black and red woven bag
  • woven leather bag
Sandblasting hand blown glass. It was constructed using lead came and mounted in a black painted poplar frame.
Kate Gakenheimer
Glass

Kate Gakenheimer

Glass - Booth #104

https://www.kategakenheimer.com
  • Sandblasting hand blown glass. It was constructed using lead came and mounted in a black painted poplar frame.

    This piece was inspired by vintage textiles and medieval tiles. It was made by sandblasting hand blown glass. It was constructed using lead came and mounted in a black painted poplar frame.

  • Sandblasting patterns into flashed glass. The circles are two layers of glass thick.

    This piece was inspired by vintage textiles including kimono designs. It was made by sandblasting patterns into flashed glass. The circles are two layers of glass thick. It was constructed with lead came and mounted in a black painted poplar frame.

  • Sandblasting patterns into flashed glass. The circles are two layers of glass thick.

    This piece was inspired by vintage textiles including kimono designs. It was made by sandblasting patterns into flashed glass. The circles are two layers of glass thick. It was constructed with lead came and mounted in a black painted poplar frame.

  • Sandblasting patterns into flashed glass. The whole panel is two layers of glass thick.

    This piece was inspired by vintage textiles including kimono designs. It was made by sandblasting patterns into flashed glass. The whole panel is two layers of glass thick. It was constructed with lead came and mounted in a black painted poplar frame.

  • Sandblasting and then double layering hand blown glass.

    This piece is inspired by vintage textiles including kimono designs. It was made by sandblasting and then double layering hand blown glass. It was constructed using lead came and mounted in a black painted poplar frame.

  • Booth with framed stained glass art
  • Sandblasting hand blown glass. It was constructed using lead came and mounted in a black painted poplar frame.
  • Sandblasting patterns into flashed glass. The circles are two layers of glass thick.
  • Sandblasting patterns into flashed glass. The circles are two layers of glass thick.
  • Sandblasting patterns into flashed glass. The whole panel is two layers of glass thick.
  • Sandblasting and then double layering hand blown glass.
  • Booth with framed stained glass art
Japanese sourced cotton Is stitched to silk and pieced with various cloth accents. Our own studio handwoven cotton neck band. Felt accent.
Juanita Girardin
Wearable Art

Juanita Girardin

Wearable Art - Booth #210

https://www.juanitagirardin.com
  • Japanese sourced cotton Is stitched to silk and pieced with various cloth accents. Our own studio handwoven cotton neck band. Felt accent.

    Japanese sourced cotton Is stitched to silk and pieced with various cloth accents. Our own studio handwoven cotton neck band. Felt accent.

  • Fragments of cloth cut from previous work created this series of narrow cotton scarves to express playful pattern and color.

    Using fragments of cloth cut from previous work I created this series of narrow cotton scarves to express playful pattern and color . Front and back have different designs.

  • Booth with sweaters displayed on the wall
  • Using fragments of cloth cut from previous work I created this series of narrow cotton scarves to express playful pattern and color.

    Using fragments of cloth cut from previous work I created this series of narrow cotton scarves to express playful pattern and color. Front and back have different patterns .

  • Created from tiny scraps of quilted garments cutaways that I’ve saved for years and pieced to create a new whole.

    Created from tiny scraps of quilted garments cutaways that I’ve saved for years and pieced to create a new whole. Stitched strap Cotton fully lined.

  • Created from tiny scraps of quilted garments cutaways that I’ve saved for years and pieced to create a new whole.

    Created from tiny scraps of quilted garments cutaways that I’ve saved for years and pieced to create a new whole. Stitched strap Cotton fully lined.

  • Japanese sourced cotton Is stitched to silk and pieced with various cloth accents. Our own studio handwoven cotton neck band. Felt accent.
  • Fragments of cloth cut from previous work created this series of narrow cotton scarves to express playful pattern and color.
  • Booth with sweaters displayed on the wall
  • Using fragments of cloth cut from previous work I created this series of narrow cotton scarves to express playful pattern and color.
  • Created from tiny scraps of quilted garments cutaways that I’ve saved for years and pieced to create a new whole.
  • Created from tiny scraps of quilted garments cutaways that I’ve saved for years and pieced to create a new whole.
Dimensions including frame 23x18'
Olga Gobernik Kon*
Glass

Olga Gobernik Kon*

Glass - Booth #319

https://www.olgagobernikkon.com
  • Dimensions including frame 23x18'

    Dimensions including frame 23x18'

  • One of a series of works dedicated to the war in Ukraine. Dimensions including frame 13x15'

    One of a series of works dedicated to the war in Ukraine. Dimensions including frame 13x15'

  • Dimensions including frame 14x14'

    Dimensions including frame 14x14'

  • One of a series of works dedicated to the war in Ukraine.

    One of a series of works dedicated to the war in Ukraine. It is dedicated to the Destruction of the Kakhovka Dam. The flooding killed many animals and damaged farmland homes and infrastructure.

  • Summer Blizzard

    Summer Blizzard

  • Booth with stained glass art
  • Dimensions including frame 23x18'
  • One of a series of works dedicated to the war in Ukraine. Dimensions including frame 13x15'
  • Dimensions including frame 14x14'
  • One of a series of works dedicated to the war in Ukraine.
  • Summer Blizzard
  • Booth with stained glass art
Traditionally handmade violin featuring a mockingbird motif I designed and inlayed by hand.
J. Daniel Graham*
Wood

J. Daniel Graham*

Wood - Booth #133

https://www.jdgraham.net
  • Traditionally handmade violin featuring a mockingbird motif I designed and inlayed by hand.

    Traditionally handmade violin featuring a mockingbird motif I designed and inlayed by hand. Materials include walnut ambrosia maple maple ebony mahogany maple poplar and other exotic species.

  • The image on the head of the banjo is a hand-cut linoleum block printed onto the inside surface.

    As with most of my instruments everything minus the strings and tuners was made from scratch. The image on the head of the banjo is a hand-cut linoleum block printed onto the inside surface. Materials include cherry walnut cocobolo brass steel glass and acrylic.

  • This pochette (pocket violin) has a rabbit head carved for the scroll on top. It is the same length as a violin but not as wide.

    This pochette (pocket violin) has a rabbit head carved for the scroll on top. It is the same length as a violin but not as wide. Traditionally pochettes were made to be carried in the coats of dance leaders and private instructors. Materials include ambrosia maple red heart ebony and maple.

  • The body of this banjo is made from a copper tea kettle. It has elaborate carving on the scroll and neck.

    The body of this banjo is made from a copper tea kettle. It has elaborate carving on the scroll and neck. The frets are made of inlayed copper. Materials include ambrosia maple mahogany cocobolo ebony and copper.

  • Violin's back made from the burl of a tree using a process that helps maintain it's unique appearance without sacrificing quality of sound

    This violin's materials are very unconventional. The back is made from the burl of a tree using a process that helps maintain it's unique appearance without sacrificing quality of sound. Materials include buckeye burl spruce ebony and maple.

  • Booth set up by leaving plenty of floor space serious patrons are afforded the opportunity to play the instruments that interest them.

    I understand my market booth setup is different than what is required for the Smithsonian Craft Show. If selected I will provide a booth similar to what you typically show. By leaving plenty of floor space serious patrons are afforded the opportunity to play the instruments that interest them.

  • Traditionally handmade violin featuring a mockingbird motif I designed and inlayed by hand.
  • The image on the head of the banjo is a hand-cut linoleum block printed onto the inside surface.
  • This pochette (pocket violin) has a rabbit head carved for the scroll on top. It is the same length as a violin but not as wide.
  • The body of this banjo is made from a copper tea kettle. It has elaborate carving on the scroll and neck.
  • Violin's back made from the burl of a tree using a process that helps maintain it's unique appearance without sacrificing quality of sound
  • Booth set up by leaving plenty of floor space serious patrons are afforded the opportunity to play the instruments that interest them.
Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm
Xinia Guan*
Jewelry

Xinia Guan*

Jewelry - Booth #131

https://www.xiniaguan.com
  • Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm

    Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm

  • Brooch: Flatland II 2020 Anodized sterling silver stainless steel (pin). 7 x 5.2 x 1 cm Photo by: Xinia Guan

    Brooch: Flatland II 2020 Anodized sterling silver stainless steel (pin). 7 x 5.2 x 1 cm Photo by: Xinia Guan

  • Brooch: Contemplation I 2020 Argentium silver stainless steel. 8 x 8 x 1.5 cm Photo by: Xinia Guan From series: Contemplation

    Brooch: Contemplation I 2020 Argentium silver stainless steel. 8 x 8 x 1.5 cm Photo by: Xinia Guan From series: Contemplation

  • Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

    Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

  • Oxidized sterling silver 23k gold stainless steel(pin).

    Oxidized sterling silver 23k gold stainless steel(pin).

  • Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

    Award of Excellent prize in the 2022 Japan Jewellery Competition. Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.

  • Xinia Guan Necklace: Bloosm III 2020 Sterling silver black patina 24k gold plated Argentium silver. 24 x 31 x 8 cm
  • Brooch: Flatland II 2020 Anodized sterling silver stainless steel (pin). 7 x 5.2 x 1 cm Photo by: Xinia Guan
  • Brooch: Contemplation I 2020 Argentium silver stainless steel. 8 x 8 x 1.5 cm Photo by: Xinia Guan From series: Contemplation
  • Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.
  • Oxidized sterling silver 23k gold stainless steel(pin).
  • Brooch. Oxidized Sterling Silver Stainless Steel (pin). Hand sawing folding. Hand fabrication.
Bespoke boots in blue ostrich leather and burnt orange vegetable tanned leather.
Sarah Madeleine T Guerin*
Leather

Sarah Madeleine T Guerin*

Leather

https://www.saboteuse.com
  • Bespoke boots in blue ostrich leather and burnt orange vegetable tanned leather.

    Bespoke boots in blue ostrich leather and burnt orange vegetable tanned leather. Hand-embroideres lupines and forget-me-nots pepper the shafts. Boots reminisce on the ski hills of Sun Valley Idaho in spring where the owner's heart lies. SOLD 2023

  • Bespoke boots that explore the idea of boots as architecture. Each leaf is hand-embroidered in silk thread.

    Bespoke boots that explore the idea of boots as architecture. What paths would ivy take growing over the form of a boot? Vamps are Horween Chromexcel leather tanned in Chicago IL. Tops are kid leather from Schrut & Asch in Woburn MA. Each leaf is hand-embroidered in silk thread. SOLD 2019

  • Bespoke boots reminding the owner of the thistle flowers of her childhood in Argentina.

    Bespoke boots reminding the owner of the thistle flowers of her childhood in Argentina. Vamps are Horween Essex tanned in Chicago IL tops are kangaroo leather hand-embroidered with silk thread. 5/8" ox toes and 2" heels. SOLD 2020

  • Bespoke boots to give the owner the feeling of walking knee-high through tiger lilies in July.

    Bespoke boots to give the owner the feeling of walking knee-high through tiger lilies in July. Vamps are glazed buffalo tops are kid leather with hand-dyed and embroidered leather flowers with silk thread. SOLD 2022. Photos by Becky Behar.

  • Bespoke boots in teal alligator leather tanned in Georgia.

    Bespoke boots in teal alligator leather tanned in Georgia as part of the CITES/Louisiana Bayou animal endangerment project to repopulate the region. Tops are vegetable tanned leather from Pergamena in the Hudson Valley of NY. Boot deign from a beetle's markings. NFS. Photo by Becky Behar.

  • Booth has images of previous work and an array of boots at different stages of construction.

    Booth has images of previous work and an array of boots at different stages of construction to use as props to explain the process of building from scratch. There is a chair for measuring feet for orders. All work is bespoke made-to-order in custom design and fit no ready-to-wear boots for sale.

  • Bespoke boots in blue ostrich leather and burnt orange vegetable tanned leather.
  • Bespoke boots that explore the idea of boots as architecture. Each leaf is hand-embroidered in silk thread.
  • Bespoke boots reminding the owner of the thistle flowers of her childhood in Argentina.
  • Bespoke boots to give the owner the feeling of walking knee-high through tiger lilies in July.
  • Bespoke boots in teal alligator leather tanned in Georgia.
  • Booth has images of previous work and an array of boots at different stages of construction.
blue woven tapestry
Porfirio Gutierrez
Decorative Fibers

Porfirio Gutierrez

Decorative Fibers - Booth #313

  • blue woven tapestry
  • woven artwork with triangle motif
  • woven rug with two bright stripes horizonal
  • geometric step pattern woven rug
  • woven rug with an interlocking blue and red step pattern
  • blue woven tapestry
  • woven artwork with triangle motif
  • woven rug with two bright stripes horizonal
  • geometric step pattern woven rug
  • woven rug with an interlocking blue and red step pattern