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Juror Panel 25th Anniversary Smithsonian Craft Show
Helen W. Drutt English
Helen W. Drutt English founded Helen Drutt: Philadelphia, one of the first galleries in the U.S. devoted entirely to international
contemporary craft. She is renowned as an educator, curatorial consultant, lecturer and author.
Recognized as a valued resource by scholars and institutions worldwide, Drutt English served as Cultural Ambassador to the City of Philadelphia from 1995 to 1999.
The recipient of numerous awards and honors, she has also been awarded two Honorary Doctorates.
Contemporary jewelry from the Helen Williams Drutt Collection is in the permanent collection of the Museum of Fine Arts, Houston.
Gerhardt Knodel
Gerhardt Knodel was appointed Vice President and Director of the Cranbrook Academy of Art, Bloomfield, MI, in 1995,
following a 25 year tenure as artist-in residence and head of Cranbrook’s Fiber Department. His innovative work explores
the rich potential of fabric in architectural interiors and his commissioned projects can be seen in Detroit, Dallas,
Cincinnati, Miami, Minneapolis and Los Angeles. He has received numerous grants and awards including the Distinguished
Craft Educators Award in Fiber from the James Renwick Alliance of the Smithsonian American Art Museum, Washington, DC.
Michael W. Monroe
Michael W. Monroe is the Executive Director and Chief Curator of the Bellevue Arts Museum located just outside Seattle, WA.
He was formerly Curator-in-Charge at the Renwick Gallery, Smithsonian American Art Museum, Washington, DC and also served
as Executive Director of the American Craft Council in New York. Monroe is a noted lecturer, author and juror for national
and international competitions focusing on contemporary American craft.
Juror Comments
(from Artist Selection press release - 2007 Smithsonian Craft Show)
Three nationally known art and craft experts met in Washington in November to make the selection, choosing artists of the highest
quality in twelve disciplines: basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper,
wearable art, and wood.
One third of the artists are new to the 2007 show. The jurors initially viewed the applications electronically
before gathering in Washington to jury the work of the top 350, viewing five slides per applicant, conferring with one another, but voting
individually.
Citing what informed the jurors’ choices, Helen W. Drutt English, noted educator and founder/director
of Helen Drutt, Philadelphia, one of the first galleries in the U.S. to be devoted entirely to international contemporary craft, stated,
“We sought to get the best quality, reveal innovative ideas, and bring to the fore the central theme of how artists work.”
Michael W. Monroe, Executive Director and Curator of the Bellevue Arts Museum, agreed, remarking that evidence of a solid grounding
in technique was also an important criterion in their judging.
Juror Gerhardt Knodel, Director of the Cranbrook Academy of Art in Bloomfield, MI,
was particularly impressed by the works that used multiple elements in unexpected ways. He also noted the breadth of
talent represented, stating that the 2007 Show will bring together well-seasoned artists and new talent in the celebration
of craft as the art form of useful objects. Monroe said, “The show is very diverse [and full of] objects to tantalize your mind,
to enlighten you. By looking at works of art, we learn something about ourselves.”
Michael Monroe also spoke of the value the show imparts to visitors by providing them the chance
to meet the artists. [An innovation of the 2007 show is a series of “Booth Chats” in which artists will be available on a publicly
scheduled basis in their exhibition booths to talk about their work with visitors to the show.]
Noting that in today’s society of high speed communication and instant gratification we seldom
see the person behind the object, Juror Monroe commented, “This show grants you the opportunity to see and make a human connection [with]
people who actually have taken the time to learn and master something in order to create the work. We need to embrace the work
of the hand and the mind, the work of the creator and problem solver.” He believes that the 2007 Smithsonian Craft Show will
inspire visitors to do just that.
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